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MBH-Introduction |
MBH-Introduction Mahaabhaarat is one of the two history books of India, the other one is Raamaaayan. Mahaabhaarat was written by Ved Vyaas Jee and Raamaayan was written by Vaalmeeki Jee. After he had divided Ved in four parts for which he is known as Ved Vyaas; he wrote many other books for easy reading and made Ved's contents available to those people who were not legible to read Ved, e.g. women, Shoodra, bi-caste people, etc so that they can know what are their Dharm and Karm. He taught these books to his four disciples: Pail, Vaishampaayan Jee, Jaiminee and Sumantu. Then these disciples divided them further while teaching to their disciples. How Ved
Vyaas Jee Wrote MBH? At this Ved Vyaas Jee said, "Then I also have one condition." "What?" "That you will not write anything without understanding its meaning first." "Fine" and thus the writing work of Mahaabhaarat began, scribed by Ganesh Jee and created and spoken by Vyaas Jee. It is said that in whatever time Ganesh Jee wrote a given Shlok (of course understanding it first), in the same time Vyaas Jee used to create many Shlok - because his Shlok contained so deep meaning that Ganesh Jee took some time to understand it, so neither Ganesh Jee had to wait for Shlok nor Vyaas Jee was short of time to create Shlok. Three Editions of
MBH One may have curiosity, as how the must have been converted in question-answer form? It is certain that Ved Vyaas Jee must not have written in question-answer form, then? Only possibility is that they must have heard in simplified form and then as the listeners had asked the questions from they manipulated it in answer form. Thus these three editions should be there - Vyaas' original edition, Vaishampaayan's edition and Soot's edition. It also means that there must be three beginnings - one according to the author Vyaas Jee and the other two according to the listeners' question patterns or tellers' telling styles. Some believe that MBH begins from the story of Uparichar Vasu, while others believe that it begins with the story of Aasteek, yet others believe that it begins with the word Manu. Different lengths and different divisions of the epic are also indicated. Even different names have also been found. It is guessed that the original work must have been the writing of historical nature. Why? because Ved Vyaas Jee has declared it as Itihaas (history) and named it as "Jaya" (victory). The first Shlok of the MBH mentions "Tato Jayamudeerayet"; and surprisingly enough the same name is given in the last Parv (Swargaarohan) also. The commonly used version is the version of Vaishampaayan Jee, so it seems that the first Shlok is spoken by Soot Jee himself, as nobody will say "Jaya" to himself, thus it is not written by Vyaas Jee. Vyaas'
Edition
Vaishampaayan Edition It might be possible that these five edition must have not been there during Ashwalaayan period as he has mentioned all these five Rishhi as Bhaarataachaarya (editors of Bhaarat). It is also possible that for the first time "Jaya" must have been started called "Bhaarat". Vaishampaayna's Bhaarat seems to have 24,000 Shlok, because Vyaas Jee has written "Bhaarat Sanhitaa" which is called Bhaarat without its "Upaakhyaan". In this Bhaarat, there was summary chapter of 15 Shlok, at the beginning in which number of chapters and Parv were mentioned. Vaishampaayan Jee should naturally begin his version with the account of Janamejaya, and the Sarp Satra where this MBH was told - and thus we have another beginning to MBH - means from Aasteek Upaakhyaan. Jaimini's Edition Soot Jee's
Edition The 69 Shlok, all starting from "Yadaa Shrausham", found in the 1st Chapter, cannot be a part of Vyaas' MBH as they are in long meter. Must be that Soot Jee have added these to it. Since Dhritraashtra has given this summary, so it is very strange way to tell the summary by the mouth of one of the actors himself. There was a short summary Bhaarat given by Vaishampaayan Jee also in 150 Shlok, but the present chapter exceeds this number by several Shlok. It means that this chapter has been reconstructed by Soot Jee. Naming the
"Jaya" Division of
"Jaya" These Parv were divided in chapters also. MBH says that they were less than 100 (number assigned to Vaishampaayan edition). In Chapter 2 of Aadi Parv where the 100 Parv are given, it is written that "Harivansh" is a Khilaa Parv (a Parv borrowed from another place) and is not a part of original Vyaas' MBH, but rather Vaishampaayan added to it. This is true that without giving the details of Krishn, MBH war story does not look complete, it is like as Raamaayan's story is not complete without the life story of Raavan. In this way Harivansh's place in MBH is the same as the place of Uttar Kaand's place is in Raamaayan. The difference is only this that Uttar Kaand is a part of Raamaayan, while Harivansh is left out from Mahaabhaarat. Soot Jee himself says that "These 100 Parv were composed by Vyaas, but after Lomharshan, the son of Soot, recited 18 Parv only in Naimish Aranya. Thus the present Mahaabhaarat is Vyaas' poem written as "Jaya", in edited form as "Bhaarat" by Vaishampaayan, and "Mahaabhaarat" by Soot Jee with an introduction and table of contents etc.
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Created by Sushma Gupta On 05/27/04
Contact: sushmajee@yahoo.com
Modified on 12/16/12